Paris: Louis Vuitton ended Paris Fashion Week with one of the most sublime shows, a “Clash of Epochs” Extravaganza in the Louvre Museum with a choir of 200 people in Periodekostums that went from the 15th century to the 1950s.
Designer Nicolas Ghesquiere rented Stanley Kubrick’s Multi-Ostrar-winning costume Ace Milena Canonero In-Die Both “Barry Lyndon” and “A Clockwork Orange” dressed a five-storey Living background of the Grignolas derived from forgotten from forgotten from forgotten from forgotten from forgotten from forgotten from forgotten from forgotten from forgotten from forgotten from forguted from forgot forgot.
“I wanted the ages to consider each other and ours,” said the highly appreciated French maker.
He described his collection as a “lively and sparky stylistic collision” between the past and the present.
And he was as good as his word with sawn-off 19th-century cycling members coupled to postmodern motorcyclist and ski jackets in one of the various unlikely combinations that somehow worked.
Ghesquiere seemed to enjoy compiling things that would not normally have to share the same wardrobe, with a line of beautiful bullfighter Boleros topping racing style of pants-style suits and cardigans that suddenly sprout leather shoulder fillings.
– Stars in the first row –
The pin line, which still clings as the uniform of international finances, was taken and transferred to leather pants, dresses, skirts and a vest.
The designer said he was trying to “do everything you can do with clothing, to mix and match them” and find new possibilities without the mental style restrictions of what should and should not work.
“This collection is the opposite of the ‘Total Look’,” said Ghesquiere. “It is a tailor’s mood,” both in the jargon feeling of flirting and finding the right note, he said.
For a typical starry sky in the front row with Hollywood actresses Lea Seydoux, Florence Pugh and Alicia Vikander, he revealed new adapted handles for the classic Vuitton Keepall bag and new “Mini Cabas”.
Ghesquiere had music for the choir – dressed in costumes that varied from Versailles in his splendor at the Hof van de Ming -Dynasty – compiled by Bryce Dessner of the American dierock band the National and French Music Video -Maker Woodkid.
He said that the piece, called “Three Hundred and Twenty”, was also intended as a tribute to Nicolas de Grigny, on whose work it is based. A contemporary of Bach, his genius was not recognized during his short life, and he never got his music for the French royalty in the Louvre.
